Weronika Pawlak

MA Photography The Image & Electronic Arts

Safe Space

“Safe Space” is a combination of analogue portraits and images of landscapes created by the AI  algorithm gauGAN. The algorithm generates images based on drawings which I made listening to the young people describing spaces that make them feel safe and relaxed. 


The work was created as an attempt to understand human’s longing for a safe space that is often imagined as an ideal space, free from self-doubts and fears. After the past year, I had a lot of thoughts about escaping the situation in which we all found ourselves. Making “Safe Space” I was thinking about how we, as humans, deal with the necessity of feeling safe. My interlocutors often admit that sometimes a safe space means a very specific place for them, for instance, a secluded place, surrounded by trees and flowers. Sometimes they could find a safe space in daily life, within the city. The imagined places seem to be at the same attainable and unrealistic. The unrealistic human desire connects with an uncanny AI representation of the landscapes, which is a way to materialize and personalise these spaces. 


The landscapes generated by gauGan are combined with analogue portraits. The composition of a picture refers to classical XIX century paintings, which often showed a person with a landscape as a background. A melancholic, romantic atmosphere of longing for something combines with an unrealistic image created by the algorithm. Since the stereotypical thinking about AI is that it can create something in a better way than humans, I found the outcome, full of glitches and unrealistic shapes, quite comic. Because of its imperfection, it reminds me somehow of a human’s way of feeling.

THE PROCESS – PART I

I asked people to describe a landscape that could work as their „safe space”. Listening to their audio recordings, I drew a series of landscapes using an AI algorithm GauGAN.

THE PROCESS – PART II
The series of analogue photographs combine people and their AI landscapes. 

About Weronika

Weronika Pawlak is a visual artist and musician, born in Warsaw, Poland. Currently working on finishing MA in Photography: The Image
& Electronic Arts at Goldsmiths, University of London. She works with photography, video, installation and music. She often explores
some of the themes related to the relation between humans and nature, the post-capitalist world and escapism.

 

Fengrui Zhen

MA Digital Media – Image Making

The Portrait of Digital Labour

数字劳工

This project focuses on the internet surveillance in China. The purpose of this project is to raise people’s awareness about surveillance, exploitation, and security of personal data, shortage of relevant regulations and excessive behaviour of those internet companies. This project collects a large amount of users’ data from Weibo which is the largest social media platform in China. All the data used in this project is public, including users’ personal information, daily posts, photos, etc., and can be accessed by anyone from Weibo. 

 

If you are NOT willing to get involved in this project, please contact Geoffrey.frzhen@gmail.com to delete and to prevent adding your data from the database. Also, if you think you are a digital labour and would like to take part in this project, please contact the email above as well.

 

About Fengrui
Fengrui Zhen is a photographer born in China, currently based in London, England, and completing his MA degree in Digital Media at Goldsmiths, University of London in 2021. After several years of exploring the field of photography, he now focuses on digital generative art and the relationship between culture, society, politics, and people.

Rita Guo Cheng

MA Photography The Image & Electronic Arts

The Look(ing) Of Time:

A timespace-image ensemble

Video Installation: timespace-image 02

Video Installation: timespace-image 01

*This video contains dialogues

About this artwork 

 

This ensemble of the moving and still images invites the spectators to look, reflect on and experience different types of duration. The work intends to grasp the human and emotional connection through these durations; it also contemplates the temporal-spatial-image relationship exhibited via multiple telecommunicated surfaces.

 

With 2 years not being able to see each other in person due to Covid-19, the artist’s initial attempt was simply creating “covid portraits” of her parents via video chat with a Large Format analogue camera. In the process the artist was fascinated and sadly agonised by the still and moving images of the parents on various surfaces (print/digital), and how these digitised or mediated images are related to the “image” of them in the artist’s mind (or memories)? How do we experience and confront “surfaced” images from now and the past situated in a certain kind of temporal-spatial scenario/duration?  

 

The work here was produced and reproduced by multiple photographic apparatus and techniques – Large and Medium Format cameras, instant analogue photography (Polaroid), screenshots, darkroom printing etc…The process and the results prove to be somewhat a futile effort trying to break through the limitations of the surface-space and time. 

 

We are, at the same time, infinitely close and apart.

About Rita 

Rita (CHENG Guo), sometimes known as Neo Chugg the Photographer, is an daytime translator and all time image maker. She mainly works with analogue photography and moving images. Rita currently lives and works in London. 

You may have a glimpse fof her visual mindscape via Instagram (admittedly not the best channel) for now.

Her website will be live in the very near future:

http://ouchnegg.com/

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